LA CONQUISTA DELL'INVISIBILE (Minutaggio – 12:44)
Il filmato, di produzione e regia esterne, illustra il percorso che, dalle intuizioni sul contagio di Girolamo Fracastoro ha condotto la scienza alla scoperta dei microrganismi, alla possibilità della loro osservazione e del loro studio grazie anche all’utilizzo del microscopio. Particolare attenzione è rivolta ai protagonisti delle principali scoperte quali Louis Pasteur e Robert Koch.
cfr. ARUTA A., DE ANGELIS E., L'archivio e la videoteca dell'Istituto di Storia della Medicina dell'Università di Roma, Medicina nei secoli arte e scienza, 18/1 (2006) 269-280, Journal of History of Medicine.
The film, produced and directed by external producers, illustrates the path that, from Girolamo Fracastoro's intuitions on contagion, led science to the discovery of microorganisms, to the possibility of their observation and study, thanks also to the use of the microscope. Particular attention is paid to the protagonists of the main discoveries such as Louis Pasteur and Robert Koch.
cfr. ARUTA A., DE ANGELIS E., The archive and video library of the Institute of the History of Medicine of the University of Rome, Medicine over the centuries, art and science, 18/1 (2006) 269-280, Journal of History of Medicine.
LA NASCITA DELLA FIGURA UMANA (Minutaggio – 10:07)
Il filmato, di produzione esterna del libero docente C. Alicandri Ciufelli, è incentrato sul tema della nascita ed evoluzione delle rappresentazioni della figura umana. Ad illustrarlo viene proposta un’ampia rassegna di prodotti appartenenti all’arte pittorica e scultorea, che copre un arco di tempo che va dai primi graffiti rinvenuti nelle caverne al periodo classico.
cfr. ARUTA A., DE ANGELIS E., L'archivio e la videoteca dell'Istituto di Storia della Medicina dell'Università di Roma, Medicina nei secoli arte e scienza, 18/1 (2006) 269-280, Journal of History of Medicine.
The film, produced externally by the lecturer C. Alicandri Ciufelli, focuses on the theme of the birth and evolution of representations of the human figure. To illustrate it, a wide range of products belonging to pictorial and sculptural art is proposed, covering a period of time that goes from the first graffiti found in caves to the classical period.
cfr. ARUTA A., DE ANGELIS E., The archive and video library of the Institute of History of Medicine of the University of Rome, Medicine in the centuries, art and science, 18/1 (2006) 269-280, Journal of History of Medicine.
MEDICINA PREISTORICA (Minutaggio – 7:35)
Nella ricostruzione dell’ambiente e delle abitudini di vita dell’uomo primitivo, inserito nel contesto della natura del tempo, vengono descritti le modalità di realizzazione dei primi manufatti umani, tra cui punte in selce, veneri steatopige e graffiti. Crani con alterazioni, conseguenze di esiti patologici o traumatici chiudono il filmato, che utilizza in gran parte materiale proveniente dalle collezioni del Museo di Storia della Medicina.
cfr. ARUTA A., DE ANGELIS E., L'archivio e la videoteca dell'Istituto di Storia della Medicina dell'Università di Roma, Medicina nei secoli arte e scienza, 18/1 (2006) 269-280, Journal of History of Medicine.
In the reconstruction of the environment and lifestyle of primitive man, inserted in the context of the nature of the time, the methods of making the first human artefacts are described, including flint points, steatopyge Venuses and graffiti. Skulls with alterations, consequences of pathological or traumatic outcomes close the film, which uses largely material from the collections of the Museum of the History of Medicine.
cfr. ARUTA A., DE ANGELIS E., The archive and video library of the Institute of the History of Medicine of the University of Rome, Medicine in the centuries, art and science, 18/1 (2006) 269-280, Journal of History of Medicine.
cfr. ARUTA A., DE ANGELIS E., L'archivio e la videoteca dell'Istituto di Storia della Medicina dell'Università di Roma, Medicina nei secoli arte e scienza, 18/1 (2006) 269-280, Journal of History of Medicine.
VASI DA FARMACIA (Minutaggio 17:51)
Viene riproposta, dalle origini, la storia dei contenitori per farmaci e dei vasi da farmacia. Nella ricostruzione si alternano riprese di oggetti appartenenti alle collezioni del Museo di Storia della Medicina, ad iconografie tratte da testi.
cfr. ARUTA A., DE ANGELIS E., L'archivio e la videoteca dell'Istituto di Storia della Medicina dell'Università di Roma, Medicina nei secoli arte e scienza, 18/1 (2006) 269-280, Journal of History of Medicine.
The history of drug containers and pharmacy jars is re-proposed from the beginning. The reconstruction alternates shots of objects belonging to the collections of the Museum of the History of Medicine with iconographies taken from texts.
cfr. ARUTA A., DE ANGELIS E., The archive and video library of the Institute of the History of Medicine of the University of Rome, Medicine over the centuries, art and science, 18/1 (2006) 269-280, Journal of History of Medicine.
FARMACI E VASI (Minutaggio 17:32)
Il video, partendo dalla civiltà assiro-babilonese, descrive la storia dei contenitori per farmaci fino ad arrivare alle confezioni in uso negli anni’50 – ’60. Viene proposta un’ampia rassegna dei vasi e di gran parte dei contenitori per medicamenti appartenenti alle collezioni del Museo di Storia della Medicina.
cfr. ARUTA A., DE ANGELIS E., L'archivio e la videoteca dell'Istituto di Storia della Medicina dell'Università di Roma, Medicina nei secoli arte e scienza, 18/1 (2006) 269-280, Journal of History of Medicine.
The video, starting from the Assyro-Babylonian civilization, describes the history of drug containers up to the packaging used in the 50s and 60s. A broad review of the vases and most of the drug containers belonging to the collections of the Museum of the History of Medicine is proposed.
cfr. ARUTA A., DE ANGELIS E., The archive and video library of the Institute of the History of Medicine of the University of Rome, Medicine in the centuries, art and science, 18/1 (2006) 269-280, Journal of History of Medicine.
SULLE ORME DI ESCULAPIO (Minutaggio 10:19)
Il filmato, di produzione esterna, illustra la nascita ed evoluzione della professione farmaceutica, a partire dal laboratorio alchimistico, attraverso le spezierie fino ai laboratori e aule universitarie e le moderne farmacie.
cfr. ARUTA A., DE ANGELIS E., L'archivio e la videoteca dell'Istituto di Storia della Medicina dell'Università di Roma, Medicina nei secoli arte e scienza, 18/1 (2006) 269-280, Journal of History of Medicine.
The film, produced externally, illustrates the birth and evolution of the pharmaceutical profession, starting from the alchemist's laboratory, through the spice shops to the laboratories and university classrooms and modern pharmacies.
cfr. ARUTA A., DE ANGELIS E., The archive and video library of the Institute of the History of Medicine of the University of Rome, Medicine over the centuries, art and science, 18/1 (2006) 269-280, Journal of History of Medicine.
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| MEDICINA NEL CLASSICISMO (Minutaggio 15:24) | LA MEDICINA DEI SEMPLICI (Minutaggio 8:41) |
Il film, realizzato nei locali del Museo di Storia della Medicina, The film, made in the premises of the Museum of the History of Medicine,
illustrates the evolutionary path of medical thought, from theurgic-priestly medicine to the birth of rational medicine in Greece and its diffusion in Rome, using the
objects present in the museum. | Film di produzione esterna, realizzato sotto la consulenza di Film of external production, made under the consultancy of
Adalberto Pazzini and largely shot in the premises of the
Institute of History of Medicine. The simples, alchemy and herbalism
as pharmacological practices. |
cfr. ARUTA A., DE ANGELIS E., The archive and video library of the Institute of History of Medicine of the University of Rome, Medicine over the centuries, art and science, 18/1 (2006) 269-280, Journal of History of Medicine. |
cfr. ARUTA A., DE ANGELIS E., The archive and video library of the Institute of History of Medicine of the University of Rome, Medicine over the centuries, art and science, 18/1 (2006) 269-280, Journal of History of Medicine. |
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ARTE TOSCANA E MEDICINA NEL MEDIOEVO (Minutaggio 12:41) | LA STREGA (Minutaggio 9:38) |
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| SE STESSO (Minutaggio 29:55) | CHIRURGIA MEDIEVALE (Minutaggio 7:38) |
Il filmato propone una descrizione particolareggiata degli am- The film offers a detailed description of the external and internal environments of the Institute of the History of Medicine. In particular, the shots focus on the facade, entrance, library, photographic archive, museum, and herb garden. The lack of sound does not allow us to fully grasp the essence of the projection that should present the Institute, which speaks about itself in the first person. | I dettami della Scuola Medica Salernitana presentati attraverso The dictates of the Salerno Medical School presented through the iconographic descriptions contained in the Treatise on Surgery by Rolando da Parma. |
cfr. ARUTA A., DE ANGELIS E., The archive and video library of the Institute of History of Medicine of the University of Rome, Medicine over the centuries, art and science, 18/1 (2006) 269-280, Journal of History of Medicine. |
cfr. ARUTA A., DE ANGELIS E., The archive and video library of the Institute of History of Medicine of the University of Rome, Medicine over the centuries, art and science, 18/1 (2006) 269-280, Journal of History of Medicine. |
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| MAGIA DELL'ASSURDO (Minutaggio 9:02) | L'OSPEDALE NEI SECOLI (Minutaggio 16:20) |
Il filmato di produzione esterna, girato sotto la consulenza di
| Il filmato, riferendosi ai luoghi di cura, descrive l’evoluzione delle forme assistenziali partendo dalla medicina teurgico-templare sino The film, referring to places of care, describes the evolution of forms of care starting from theurgic-templar medicine up to the creation of modern hospital complexes.
The images of places of care are taken from ancient and
medieval paintings. There are some reconstructions that are part of the museum
material of the Institute of History of Medicine.
|
cfr. ARUTA A., DE ANGELIS E., The archive and video library of the Institute of History of Medicine of the University of Rome, Medicine over the centuries, art and science, 18/1 (2006) 269-280, Journal of History of Medicine. | a cfr. ARUTA A., DE ANGELIS E., The archive and video library of the Institute of History of Medicine of the University of Rome, Medicine over the centuries, art and science, 18/1 (2006) 269-280, Journal of History of Medicine. |
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MOSTRA DI STORIA DELL'ODONTOIATRIA (Minutaggio 12:38) | STOMATOLOGIA NEI TEMPI (Minutraggio 10:01) |
Il filmato si divide in due parti. La prima illustra alcuni locali del Museo della Scienza di Firenze e gli oggetti in essi conte- nuti. La seconda parte è totalmente dedicata alla Mostra Storica dell’Odontoiatria, realizzata da Adalberto Pazzini, presso l’Istituto Eastman, in occasione del XXVII Congresso di Odontoiatria, tenutosi il 21 ottobre 1952 in Roma. The film is divided into two parts. The first illustrates some rooms
of the Science Museum of Florence and the objects contained therein. The second part is entirely dedicated to the Historical Exhibition of Dentistry, created by Adalberto Pazzini, at the
Eastman Institute, on the occasion of the XXVII Congress of Dentistry, held on 21 October 1952 in Rome. | Il video, realizzato dalla Società Italiana di Stomatologia su sog- getto e commento parlato di Adalberto Pazzini, ripercorre le tap- pe dell’evoluzione dell’odontoiatria, dalla preistoria fino alle prime forme di impianto sottoperiostale. In gran parte, la docu- mentazione utilizza materiale del Museo di Storia della Medicina. The video, produced by the Italian Society of Stomatology based on a subject and spoken commentary by Adalberto Pazzini, traces the stages of the evolution of dentistry, from prehistory to the first forms of subperiosteal implants. The documentation largely uses material from the Museum of the History of Medicine. |
cfr. ARUTA A., DE ANGELIS E., The archive and video library of the Institute of History of Medicine of the University of Rome, Medicine over the centuries, art and science, 18/1 (2006) 269-280, Journal of History of Medicine. |
cfr. ARUTA A., DE ANGELIS E., The archive and video library of the Institute of History of Medicine of the University of Rome, Medicine over the centuries, art and science, 18/1 (2006) 269-280, Journal of History of Medicine. |
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STORIA DELL'ANESTESIA (Minutaggio 28:52) | STORIA DELLA MICROBIOLOGIA (Minutaggio 23:46) |
Vengono ripercorsi i metodi e descritte le sostanze utilizzate per sedare il dolore negli interventi medico-chirurgici, dall’utilizza- zione della neve quale primitivo anestetico fino alla scoperta di sostanze chimiche (cocaina, gas esilarante, novocaina) che hanno reso possibile intervenire annullando la sofferenza nel paziente. The methods are retraced and the substances used to sedate pain in medical-surgical interventions are described, from the use of snow as a primitive anesthetic to the discovery of chemical substances (cocaine, laughing gas, novocaine) that have made it possible to intervene by eliminating suffering in the patient. | Il cammino della microbiologia, descritto attraverso i personaggi che ne sono stati protagonisti. Da Fracastoro, Spallanzani, Jenner, Koch, Pasteur, fino al nostro Sanarelli. The path of microbiology, described through the
characters who were its protagonists.
From Fracastoro, Spallanzani, Jenner, Koch, Pasteur,
up to our Sanarelli. |
cfr. ARUTA A., DE ANGELIS E., The archive and video library of the Institute of History of Medicine of the University of Rome, Medicine over the centuries, art and science, 18/1 (2006) 269-280, Journal of History of Medicine. |
cfr. ARUTA A., DE ANGELIS E., The archive and video library of the Institute of History of Medicine of the University of Rome, Medicine over the centuries, art and science, 18/1 (2006) 269-280, Journal of History of Medicine. |
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STORIA DELL'IDROLOGIA (Minutaggio 10:48) | FRA L'ATOMO E LUNIVERSO (Minutaggio 10:04) |
La sacralità e le virtù terapeutiche dell’acqua nei secoli. Il filmato parte dal mondo preistorico e, attraverso riferimenti al mondo greco, romano ed islamico, passa poi a descrivere l’idrologia empi- rica rinascimentale di Paracelso e Bacci, fino ai progressi della chimica nello studio scientifico delle acque presso gli attuali laboratori. The sacredness and therapeutic virtues of water over the centuries. The film
starts from the prehistoric world and, through references to the
Greek, Roman and Islamic world, then goes on to describe the Renaissance empirical hydrology of Paracelsus and Bacci, up to the progress of
chemistry in the scientific study of water at current
laboratories. | Dall’infinitamente grande all’infinitamente piccolo, dall’osserva- zione dell’universo alla scoperta dell’atomo, il cammino e l’evo- luzione dell’ottica, dalla scoperta casuale della lente alla creazione dei primi occhiali, dal cannocchiale galileiano ai microscopi. Il filmato, prodotto dall’Istituto Luce, presenta diversi oggetti appartenenti alle collezioni del Museo di Storia della Medicina. From the infinitely large to the infinitely small, from the observation of the universe to the discovery of the atom, the path and evolution of optics, from the casual discovery of the lens to the creation of the first glasses, from the Galilean telescope to microscopes. The film, produced by the Istituto Luce, presents various objects belonging to the collections of the Museum of the History of Medicine. |
cfr. ARUTA A., DE ANGELIS E., The archive and video library of the Institute of History of Medicine of the University of Rome, Medicine over the centuries, art and science, 18/1 (2006) 269-280, Journal of History of Medicine. |
cfr. ARUTA A., DE ANGELIS E., The archive and video library of the Institute of History of Medicine of the University of Rome, Medicine over the centuries, art and science, 18/1 (2006) 269-280, Journal of History of Medicine. |
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ARTE E MEDICINA (Minutaggio 24:31) | RINASCITA (Lo strumentario) (Minutaggio 14:37) |
Il filmato propone in chiave cronologica una rassegna icono- The film offers a chronological iconographic review illustrating scenes of medical relevance, both of pathologies and therapeutic interventions. | La rinascita anatomica e la rivoluzione scientifica del XVII secolo The anatomical renaissance and the scientific revolution of the 17th century
by Galileo, with the transition from qualitative and
subjective medicine to quantitative and objective medicine. Nature is read with mathematical numbers and new instruments are created: the
thermoscope, the thermometer, the pulse oximeter and the steelyard of Santorio,
the first attempt to measure metabolism. The video describes
the functioning of the various instruments. |
cfr. ARUTA A., DE ANGELIS E., The archive and video library of the Institute of History of Medicine of the University of Rome, Medicine over the centuries, art and science, 18/1 (2006) 269-280, Journal of History of Medicine. |
cfr. ARUTA A., DE ANGELIS E., The archive and video library of the Institute of History of Medicine of the University of Rome, Medicine over the centuries, art and science, 18/1 (2006) 269-280, Journal of History of Medicine. |
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AGOSTINO BASSI (Minutaggio 11:17) | SPEZZONI NUOVO ISTITUTO (Minutaggio 11:00) |
La biografia di Agostino Bassi viene presentata con particolare The biography of Agostino Bassi is presented with particular attention to his discoveries and scientific production. In the production of the film, objects and texts belonging to the museum and the library of the Section are used. |
The film retraces, through some clips, the years immediately following the construction of the new Institute of History of Medicine, dating back to 1954, proposing some internal sections such as the library and the museum. Particularly useful for a historical reconstruction of the original environments.
|
cfr. ARUTA A., DE ANGELIS E., The archive and video library of the Institute of History of Medicine of the University of Rome, Medicine over the centuries, art and science, 18/1 (2006) 269-280, Journal of History of Medicine. |
cfr. ARUTA A., DE ANGELIS E., The archive and video library of the Institute of History of Medicine of the University of Rome, Medicine over the centuries, art and science, 18/1 (2006) 269-280, Journal of History of Medicine. |
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GLI ANIMALI SOFFRONO PER L'UOMO (Minutaggio 11:06) | ||
La produzione di sieri e vaccini attraverso l’utilizzo di animali cavie, nell’Istituto Sieroterapico Sclavo alla fine degli anni ’40. Il filmato è di produzione esterna. The production of serums and vaccines through the use of guinea pigs, in the Istituto Sieroterapico Sclavo at the end of the 1940s. The film is an external production. | ||
cfr. ARUTA A., DE ANGELIS E., The archive and video library of the Institute of History of Medicine of the University of Rome, Medicine over the centuries, art and science, 18/1 (2006) 269-280, Journal of History of Medicine. |